Monday 16 May 2011

Half-Caste - John Agard

John Agard wrote Half-Caste as a response to people in England who referred to him using this term. His mother is Portuguese, and his father is black. Agard thinks that the term 'half-caste' is unfair as it implies that people of a mixed race are only half a person. Ironically, it could be argued that they are rich with diversity and often have experienced a wealth of cultural difference due to their mixed parentage.

Agard argues logically against the term 'half-caste' using several images:
  • He questions whether Picasso should be seen as second-rate because he mixed a variety of colours in his paintings. Interestingly, Picasso's use of abstract images made him a pioneer in the art world - perhaps John Agard is similarly trying to push boundaries? You could also argue that Agard is trying to show the 'fullness' of his knowledge or demonstrate how 'well-rounded' (not fat!) he is by making references to popular culture.
  • He questions whether the English weather should be scorned because it is full of light and shadow. Here, he lightly mocks the English weather, which encourages the listener to laugh at themself and their prejudices, much like the clouds are personified as stubborn and 'scornful'.
  • He asks whether the music of Tchaikovsky should be seen as inferior because he used both the black notes and the white notes on the piano. Again, Agard is demonstrating his cultural knowledge, extending it to show his understanding of European artistry. These images, mixed with his Guayanan accent, shows his mixed heritage clearly.
The poet ends 'Half-Caste' by asking the listener to begin to think in a more open-minded way.

The use of the strong Guayanan accent and presentation of his ideas in a colloquial language shows a pride in the speaker's origin. However, the use of colloquialisms could also be read as slightly aggressive - certainly, this tone is enforced by the confrontational language, as seen in short, sharp questions ("What yu mean") and imperatives ("Explain yuself").

  • What is the effect of the way that the poem is structured?
  • What is the effect of the opening line?
  • What is the effect of the poem's conclusion?

5 comments:

  1. hey thanks miss i did not get it now i do thanks

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  2. Something I just read and thought was a very good idea:

    Agard's poem Half Caste lacks the use of punctuation throughout; each line flows onto the next. This may have been used by the author to make no clear breaks, so that the reader has a chance to punctuate the poem them-self, drawing attention to the parts of the poem that they feel are important and thus giving them the power to 'cling' on to certain words. Another interpretation of this could be that Agard does not want to make one part of the poem stand out more than the other, giving the idea that everything he has written is for a reason and that no part of the poem is 'inferior' to the other; showing the underlying meaning of the poem.

    How is that?
    Nick Gikas.

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  3. Nick, that is a fabulous interpretation. Well done!

    However, would you subscribe to the view that the lack of punctuation gives the poem a (for want of a better word) 'ranty' tone?

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  4. Definitely, would you suggest that if this were the poem we were to get in the exam (*touch wood*) I should maybe have to write a furthermore part and add how it gives the effect of quick speech, which is sustained throughout the poem.

    Is what I wrote the 'perceptive understanding of the poem' that the examiner is looking for, to secure the A or A*, if I sustained it throughout?

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  5. NICK - Please reply to Ben's text!

    A* candidates are expected to present alternative interpretations to texts, and not simply address the obvious points.

    ReplyDelete